DETROIT (Reuters) – Thousands of Aretha Franklin fans are expected to pay their last respects to the Queen of Soul on Tuesday and Wednesday when the singer’s body lays in repose for two days at the Charles H. Wright Museum of African American History in Detroit.
A mural in tribute to late singer Aretha Franklin is seen on a building in Detroit, Michigan, U.S., August 27, 2018. REUTERS/Mike Segar
Franklin died last week at the age of 76 from pancreatic cancer in Detroit, where she began her career as a child singing gospel in the New Bethel Baptist Church choir.
Her soaring voice, seared with emotion, would become the inspirational standard for other singers to match.
The preacher’s daughter first topped the charts in 1967 with “Respect,” her no-nonsense reworking of a modest hit for Otis Redding into an enduring anthem for feminism and the civil rights movement.
Chaka Khan, Jennifer Hudson, Ronald Isley and Stevie Wonder, among others, are due to sing at her funeral on Friday at Detroit’s Greater Grace Temple. Former U.S. President Bill Clinton, who had Franklin sing at his 1993 inauguration celebrations, will be among the speakers. She also sang at former President Barack Obama’s inauguration in 2009.
Franklin was born in Memphis, Tennessee, but moved to Detroit, Michigan, as a small child as the city became a refuge for black Americans in the mid-20th century escaping racist Jim Crow segregation laws in southern states.
The city, which would become synonymous with the secular outgrowth of gospel music known as soul, is treating Franklin’s death as the passing of royalty, with a week of mourning, including a free tribute concert at a park on Thursday evening.
While Friday’s funeral is closed to the public, the streets outside are due to be lined with dozens of pink Cadillacs, the Detroit-built luxury cars. Franklin sang of cruising through the city in a pink Cadillac in her 1985 hit “Freeway of Love”, which earned her one of her 18 Grammy Awards.
Reporting by Nick Carey in Detroit and Jonathan Allen in New York; Editing by Lisa Shumaker